Monday, April 9, 2012

"Un-Modern Catholic Doubters?"--Silence, Part II

I'll admit, reading the first few chapters of Silence gave me the chills. Sitting well-fed in my comfortable swivel chair inside a heated and sheltered house, I could not help but be stuck by the magnitude of the faith of the missionary priests. Not just of Rodrigues and his companions, but also the hundreds of Jesuits, Dominicans, Franciscans, etc. who made the same journey before. The reader will notice that Rodrigues also constantly reflects on those who have gone before him, especially in times of danger and hardship.

At the time, I thought the novel--more than any other text we've read thus far--demonstrated most profoundly the wide gap between the often-juxtaposed terms "Modern" and "Catholic." Today in the twenty-first century, the notion of "converting" others to one's own creed is as foreign--and, some might say, as threatening--to modern society as Christianity was to Japanese society in the seventeenth. For better or for worse, belief in a universal and objective truth has today largely been replaced by a particularistic and subjective belief in tolerance as the highest truth.

The opening pages of Silence demonstrate that this juxtaposition between "Modern" and "Catholic" is relevant even within the Church. The "un-Modern" Rodrigues and his missionary cohorts would have never traveled halfway around the world and endured such hardships if they did not truly believe that by their work they were saving souls that would otherwise be eternally lost.

Now, however, after reaching page 153 in the book, I see my thesis weakening as fast as Rodrigues’ faith. Page by page, the priest’s once black-and-white distinction between believers and unbelievers—equivalent, perhaps, to my distinction between “Modern” and “Catholic”—is becoming gray. Rogrigues increasingly begins to ask himself questions he would have previously only expected from unbelievers. After witnessing his Christian companions undergo hauntingly-silent martyrdoms, Rodrigues goes so far as to ask:

Did God really exist? If not, how ludicrous was half of his life spent traversing the limitless seas to come and plant the tiny seed in this barren island! How ludicrous the life of the one-eyed man executed while the cicada sang in the full light of the day! (p. 138)

Over time, Rodrigues’ doubts extend even to believers. After his agonizing conversation with former Father Christovao Ferreira, heroic Jesuit superior of Japan—now Sawano Chuan, apostate author of a book refuting Christianity—Rodrigues begins to question even the sincerity of the Christian converts.

“And supposing the God whom the Japanese believed in was not the God of Christian teaching…”
“You are denying the undeniable.”
“Not at all. What the Japanese of that time believed in was not our God. It was their own gods. For a long time we failed to realize this and firmly believed that they had become Christians.” (p. 147)

Indeed, Rodrigues’ once-unshakable faith has been shaken. His once-unbreakable spirit is in the process of breaking. And, worst of all, his once-glorious God has been silent.

Rodrigues knows what is happening as much as we do. While we may not be able to guess the exact details, I think we all know what is coming. It is only a matter of time, and for this reason I cannot imagine an ending to Silence that is anything but heart-wrenching.

12 comments:

  1. I think that you do a great job analyzing Rodrigues' deteriorating faith; we do see quite the transformation from the eager, young missionary to the weary, questioning father. Thomas Merton has a great quote on faith in relation to doubt...

    “Faith means doubt. Faith is not the suppression of doubt. It is the overcoming of doubt, and you overcome doubt by going through it. The man of faith who has never experienced doubt is not a man of faith.”

    Rodrigues' faith is definitely being tested, but this idea of suffering is an important part of the Catholic understanding of the world. It is okay to have doubts, but through choosing the faith despite them a person becomes a true believer.

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  2. I would agree with Alex that suffering is an important part of the Catholic understanding of the world. Our faith itself is based on the fact that others have made a sacrifice in order for us to live the lives we do. The most obvious example being Jesus dying on the cross for our sins. If God had not wanted his son to die in his early 30's, he could have found a way to make that happen. But it happened for a reason, and I think the reason is a great example of the positive that can be drawn on from suffering. I am sure most people have already read it, but my favorite saying regarding suffering is called footsteps. You could make some great parallels between this quote and the suffering in Silence.

    One night a man had a dream.
    He dreamed he was walking along
    the beach with the Lord.

    Across the dark sky flashed scenes from his life.
    For each scene, he noticed
    two sets of footprints in the sand,
    one beloning to him and the other to the Lord.

    When the last scene of his life flashed before him,
    he looked back at the footprints in the sand.
    He noticed that many times along the path of his life
    there was only one set of footprints.
    He also noticed that it happened at the
    very lowest and saddest times in his life.
    This bothered him and he questioned the Lord about it.

    "Lord, you said that once I decided to follow you,
    you'd walk with me all the way.
    But I have noticed that during the most
    troublesome times in my life there is
    only one set of footprints.
    I don't understand why when I needed you most
    you would leave me."

    The Lord replied "My precious, precious child,
    I love you and would never leave you.
    During your times of trial and suffering,
    when you see only one set of footprints in the sand,
    it was then that I carried you."

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  3. Zach, that is quite a moving poem, and as you noted, the parallels to Silence are very striking. The "dream" could be Rodriques' desire to cultivate the seed that is Christianity in Japan. The beach brings to mind images of the sea, a constant theme throughout the novel. Of course, Rodrigues also experiences the "dark"--both in his sufferings and in his intensifying doubt. What's more, the quote in the penultimate paragraph of the poem wouldn't look completely out of place within the pages of Silence. The question then becomes--how similar will God's answer be?

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  4. Joe, great connection between the title of the course and our current novel. The juxtaposition of modern and Catholic is really at the heart of the conflict and mind games that fuel many of the tactics that the Japanese use to get the father to apostatize. Like we discussed in class, the father's doubts can be paralleled to those of Mother Teresa, and when compared, it is easier to have hope for him. Even in times of great suffering, although questioning her faith, she still performed God's will. We'll have to wait and see if the father does the same.

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  5. Zac, I loved the connection you made between the footsteps poem and Rodrigues' shaky faith. I was thinking of that exact poem when I was reading this part of the novel. When Rodrigues is starting to be faced with turmoil and troubles, he feels as if God has abandoned him and it ties into the title of the novel. Going back to my argument of weakness, through the silence of God, I feel as if the priest becomes weaker because he loses his ambition to go and be brave in the face of death, but he hides in his hut and wants the people to put themselves before him.

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    1. I would also argue that the peasants and those oppressed the most are resembled in the poem. They are the ones experiencing the most suffering, and are actually tortured and killed for their faith. I could definitely see them asking God where he was in those dark times. And if I was in their shoes, I would have a tough time accepting that God was carrying me as I was beaten to death for believing in him, as the Japanese people were.

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  6. Paige, your mention of Mother Teresa, coupled with today's discussion in class, makes me wonder what the tiny Albanian nun would have done in Rodrigues' situation. She certainly wouldn't have apostatized--few on Earth loved God more than she. And she certainly wouldn't have sat by idly while Christians were being tortured--few on Earth had more compassion for the suffering than she.

    Perhaps if one is holy enough, God Himself intervenes in the face of such an impossible moral dilemma.

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  7. Joe, that line about Rodriguez's faith being shaken, his spirit breaking, was pretty poetic. I would like to offer another clue as to how Rodriguez's faith is being tested and the extent of his doubts. Of most of the the themes and symbols in this book, nothing is more interesting than Rodriguez's views of 'the face of god.' This is first brought up on page 22, after describing the traditional view of what Christ looked like and how that view changes with geography and cultural influences, by saying "It is a face filled with vigor and strength. I feel great love for that face. I am always fascinated by the face of Christ just like a man is fascinated by the face of his beloved." Here the words vigor and strength are used, just as Rodriguez and Garrpe are about to leave to enter into the perilous land of the Japanese. These words reflect Rodriguez's hold on his faith and on his motivation of his missionary quest. Later he relates his sermon to the Japanese as the equivalent to Jesus preaching on the Mount. Possibly he thinks this way because he is proud to be of service and playing a central role in bringing Christ and God to the people of Tomogi.

    However, on page 67, Rodgriguez is on the run, scared, exhausted, and alone. Finally his perspective of seeming safety was shattered and he immediately realizes the dangers he is in. He looks to a puddle on the ground and sees an image of "a tired, hollow face." THis face reminds him of the face of the crucified Christ, whom artists depict as pure and beautiful beyond that of human imagination. He says here 'Yet the face reflected in this pool of rainwater was heavy with mud and with stubble; it was thin and dirty; it was the face of a haunted man filled with uneasiness and exhaustion." There are two purposes that this quote has. One, it shows that Rodriguez, who consistently compares himself to Jesus, is noticing that he is very different than Christ in the face of persecution, which is humbling. Two, it shows that this face of purity has changed from the beginning of the novel to one of exhaustion and fear. Thus Rodriguez's ideas of the face of Christ change as he faces persecution himself and as seeming doubts of his faith surface as a result. He becomes a little humble in his realization that he is not as Christ-like as he would want to imagine as well.

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  8. Alex, I love that quote from Merton. I completely agree. Doubt doesn't mean necessarily mean a weakening of faith. On the contrary I think it is a necessary part of the spiritual journey and in the end can lead to a stronger faith.

    Would Mother Theresa apostatize? Joe, you say that Mother Theresa never would have apostatized, but I'm not so sure. Not because I don't agree that she had tremendous faith in God. She did. It would be for this faith in God and love of people that I think she would as Rodrigues did (if put in the same scenario as Rodrigues). And it would be the hardest most painful act of her life, but she would do it at in order to end the suffering of other people.

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  9. The weakening faith is so key to creating the story as a whole. Without this weakening or questioning of God's whereabouts and existence, the ending doesn't really relate. The fact that he brings up so many questions about his faith: where is God all the time? Does he even truly exist? They are all reasons as to why the ending of the novel works so well.

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    1. great point about the ending of the novel. I agree

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  10. "Tolerance is the highest truth." I think that this does indeed hit a very strong point in the whole "Modern" thing. I think it was Pope Leo XIII who wrote an encyclical detailing the dangers of this "modern" strand in the life of the Church. He even wrote about the danger of sacrificing one's faith for liberty. I think that has a strong connotation in Silence.

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